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Basket Case (1982 / USA / Dir: Frank Henenlotter)
The Tenant in Room 7 is Very Small, Very Twisted, and Very Mad! Carrying
a mysterious wicker basket around with him, Duane Bradley arrives in
Manhattan and checks into a sleazy Times Square hotel. What's in the basket,
you ask? Why, Duane's hideously misshapen Siamese-twin brother, Belial, of
course! Described by critic Rex Reed as “the sickest film I have ever seen!”
Frank Henenlotter’s breakout cult classic. |
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Blood Feast (1963 / USA / Dir: Herschell Gordon Lewis)
Lunatic caterer Fuad Ramses prepares “an Egyptian Feast” from assorted
body parts borrowed from nubile young women. The world’s first “gore film”!
An over-the-top classic from cult director Herschell Gordon Lewis and the
first film in his infamous “Blood Trilogy”. |
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Blood Feast 2: All U Can
Eat (2002 / USA / Dir: Herschell Gordon Lewis)
Forty years later, Herschell Gordon Lewis’s returns to the feast to
continue the hilarious and outrageous tale that has earned him the title of
“Master of Gore”! A new and memorable take on his cult classic! |
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Blood For Dracula (1974 / USA / Dir: Paul Morrissey)
The ultimate vampire movie from award-winning director Paul Morrissey!
The Vampire Count Dracula requires the blood of young virgins to stay alive.
Pretending to seek the hand in marriage of one of four aristocratic Italian
sisters, he discovers that they are already very modern. A field hand
uncovers his real identity and totally dismembers the helpless vampire in an
orgy of blood letting. A witty, sexy and gory interpretation of the Dracula
tale from one of the world’s most renowned cult directors that is “utterly
hilarious.”
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Color Me Blood Red (1965 / USA / Dir: Herschell Gordon Lewis)
The Newest Trend in Art is Type O Negative! The oddball paintings of an
obscure out-of-his-mind artist suddenly become popular after he begins using
a special new pigment -- human blood, specifically from sexy young women.
The third and final film in the infamous “Blood Trilogy” following Blood
Feast and Two Thousand Maniacs! |
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Flesh (1968 / USA / Dir: Paul Morrissey)
Joe Dallesandro plays charming, open, and innocent Joe as he takes to
the streets and meets an artist with elaborate and hilarious theories of
body worship, a couple of transvestites, a dumb ex-girlfriend (now a topless
dancer) and a friend whose armpits have been burned by a flamethrower. A
gallery of city grotesques that is hilarious, poignant and real. |
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Flesh For Frankenstein (1974 / USA / Dir: Paul Morrissey)
Paul Morrissey’s wacky classic in which Dr. Frankenstein creates humans
from body parts in a manner never seen before or since. A mad scientist,
married to his sister, spends his time kidnapping, cutting up and sewing
together young people in order to create a perfect Male and Female specimen.
His sister, when not minding his two children, selects lovers from her
employees. When one of her lovers turns out to be the best friend of the
head of her brother’s specimen, Dr. Frankenstein’s monster goes berserk and
disembowels everyone, including himself. |
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Gruesome Twosome, The (1967 / USA / Dir: Herschell Gordon Lewis)
“The Most Barbaric Humor Since the Guillotine!” With an electric carving
knife he got for his birthday, Rodney, an imbecilic psycho, removes the
scalps of pretty young college coeds which his mother, a little old lady
lunatic, then sells in her “wig” shop. A macabre blend of humor and horror
from cult director Herschell Gordon Lewis complete with blood, pajama
parties, stock car racing, and beach blanket bingo! |
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Heat (1972 / USA / Dir: Paul Morrissey)
Sylvia Miles is a fading, practically unknown star, given to game shows,
TV movies and studs. Joe Dallesandro is a one-time child actor who lives in
a sun-baked motel where the obese landlady gives cut rates for service and
complains about the star’s freaked out daughter who lives with baby and
lesbian love in a “suite.” Heat is a film of high comedy and low tragedy
with a gifted and offbeat cast. |
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Hills Have Eyes, The (1977 / USA / Dir: Wes Craven)
Director Wes Craven’s groundbreaking film that brought him to the
attention of horror fans around the world. A family on its way to California
is stranded in the desert and is systematically savaged by a band of inbred
homicidal maniacs. Recently remade into a hit new film! |
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Last House On Dead End Street (1977 / USA / Dir: Roger Watkins)
Roger Watkins’ infamous cult classic that spawned a whole new horror
genre. Voted “best cult DVD release of 2002”, the film continues to shock
and excite audiences nearly 30 years later. The original “snuff” film. |
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Madame Wang's (1981 / USA
/ Dir: Paul Morrissey)
A young KGB agent comes to California to meet Jane Fonda and prepare for
the coming Russian takeover of the U.S. After losing his papers and money,
he only manages to connect with a band of unemployed, homeless, overweight
and over the hill transvestites who are trying to make the transition from
drag to rock. Persuaded by the daughter of one of the transvestites to
become a self-mutilating punk rocker in a famous L.A. Chinese restaurant run
by an elderly sex-change, Madame Wang, he freaks out and slashes himself to
shreds. |
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Mixed Blood (1985 / USA /
Dir: Paul Morrissey)
Drugs, Sex, Murder. All in a day’s work for the kids of “Alphabet City”!
Brazilian drug dealers in the lower east side of Manhattan start a war with
a gang of rival Latino dealers. A gritty, documentary-style drama full of
memorable characters from the streets of immigrant New York moving to a
Latin beat. |
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Night of the Living Dead – Survivor’s Cut (USA / Dir: Dean Lachiusa)
This is a fast-paced, contemporary revision of Romero's classic horror film
that has generated a flurry of critical acclaim. The film is digitally
enhanced with NEW footage and special effects. Dean Lachiusa has digitally
created new camera-angles that provide perspective and abstract-color that
is used to flesh out the mood of the film at just the right time. |
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Nightwish (1989 / USA /
Dir: Bruce R. Cook)
Grad students and their unbalanced professor gather in a remote cabin to
document some supernatural goings-on. Before long, everybody is questioning
their own and others’ sanity, hallucinations abound and nobody's entirely
sure what's real and what's not. In your dreams no one can hear you scream. |
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Rainbow Thief, The (UK / Dir: Alexandro Jodorowsy)
Starring Peter O'Toole, Omar Sharif and Christopher Lee, The Rainbow Thief
is Alexandro Jodorowsky's (El Topo, Holy Mountain, Santa Sangre, Fando y Lis)
last film. In search of the proverbial pot of gold at the end of the
rainbow, a petty crook hopes to cash in by befriending the heir to a huge
fortune. The director utilizes his experience as the pantomime and circus
clown he once was to create a giant carnival-like world full of strange
characters and circus performers. |
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Rock & Rule (1983 / USA / Dir: Clive A. Smith)
The acclaimed rock and roll animated feature with music by Cheap Trick,
Lou Reed, Blondie, Iggy Pop and Earth, Wind & Fire. Angel, a member of a
punk rock band in the apocalyptic future, is kidnapped legendary super
rocker Mok. Obsessed with an evil experiment, Mok plans to use Angel’s voice
to summon a demon from another dimension. |
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Spontaneous Combustion (1990 / USA / Dir: Tobe Hooper)
Cult horror actor Brad Dourif stars in this fiery tale about a young man
whose parents had been used in an atomic-weapons experiment shortly before
his birth. The results have some strange and unexpected effects on him. |
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Tokyo Decadence (1992 /
Japan / Dir: Ryu Murakami)
A beautiful and submissive hooker goes about her trade, suffering abuse
at the hands of her sadomasochistic customers. Uncut Director’s version of
this acclaimed erotic masterpiece of S&M theatre. |
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Trash (1970 / USA / Dir: Paul Morrissey)
The story of Joe and his lover-protector, Holly, who is something to
behold, a comic book Mother Courage who fancies herself as Marlene Dietrich
but sounds more like Phil Silvers. Joe and Holly try to make a go of things
in their Lower East Side basement, from which Holly goes forth from time to
time to cruise the Fillmore East and to scavenge garbage cans, while Joe’s
journeys are in search of real junk. Trash is true-blue movie making, funny
and vivid. |
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Two Thousand Maniacs (1964 / USA / Dir: Herschell Gordon Lewis)
The small Southern town of Pleasant Valley celebrates the Civil War’s
centennial by inviting a handful of unsuspecting Yankees to be their “guests
of honor” and then slaughtering them! The second film in Herschell Gordon
Lewis’ infamous “Blood Trilogy”. |
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Women In Revolt (1971 /
USA / Dir: Paul Morrissey)
Three men from different walks of life, Candy from high society, Jackie from
the middle class and Holly from the gutter, live and dress as women in order
to attract men. When Jackie feels that the group needs independence, he
organizes meetings to enlist his friends in the newly fashionable Women’s
Lib Movement. They decide to give up men, become lesbians and attempt
careers, only to wind up back where they began, sadder but none the wiser. |
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Zatoichi (1989 / Japan / Dir: Shintaro Katsu)
The last and best of the Zatoichi feature films starring Shintaro Katsu. The
blind swordsman appeared in 25 films before switching to the television
screen with some 100 episodes. This film was recently remade by Shochiku and
released in theatres worldwide but there is nothing like the original
Zatoichi to get the blood flowing! |