THE ADULT VERSION OF JEKYLL & HIDE (1971, color): When a tubby-looking guy finds the notebook of Dr. Jekyll, he mixes the infamous formula, drinks it, and immediately turns into sexy “Miss Hide” -- complete with groovy dress and white go-go boots -- who also happens to be a lesbo loving, homicidal nymphomaniac... Gender-bending adult horror from producer David F. Friedman (SPACE THING). From the 35mm negative. Plus extras.

ALICE IN ACIDLAND / SMOKE AND FLESH: Turn On, Tune In, Go Crazy! One minute, she's a college student; the next she's ALICE IN ACIDLAND (1969, b&w and color), a drug-crazed sex kitten who plunges headfirst down the wrong rabbit hole! Alice Trenton is "a normal well-adjusted young lady" until naughty galpal Frieda Hamilton turns her on with "joints of pot" and lesbian lust. Hanging out with Frieda's friends, Alice is so eager to prove herself part of the "sex-for-pleasure inner circle" that her life becomes a whirlwind of marijuana and nude parties. But things turn tragic when Alice dares to ride the ultimate high: LSD -- yes, ACID, that "destroyer of youth and moral obligations!" Suddenly, Alice's black-&-white world turns to trippy color as angelic nymphettes dance through psychedelic dreamscapes, giant breasts glide about like heavenly moons, and her already confused mind melts into jelly.... Plus: Lovers of women and weed should then rush on over to the party at Turk's for a special evening of SMOKE AND FLESH (1968, b&w) that begins with a delivery of some groovy grass. But watch out! Just when everyone's toked and the free lovin' starts to flow, a slimeball named Skiff crashes the festivities. Turk provides the punch line however when he slips Skiff some surprise LSD and the dumb goon promptly enters Freakout Land....Two Trippy Time Capsules from the Outta-Sight Sixties, ALICE IN ACIDLAND and SMOKE AND FLESH will give you a cinematic high! Plus extras.

THE AMAZING TRANSPLANT (1970, color): A penis transplant (!) turns meek, girl-shy Arthur into a lady killer -- literally! Hoping his new member will be a babe magnet, Arthur instead learns that the pecker’s previous owner had a homicidal fetish -- namely, strangling women wearing gold earrings -- which Arthur has now inherited... A jaw dropper from Doris Wishman (DEADLY WEAPONS), one of the few women to direct sexploitation. From the 35mm negative. Plus extras.

BAD GIRLS GO TO HELL / ANOTHER DAY ANOTHER MAN: Special Drive-In Double Feature proving Life’s a Bitch! BAD GIRLS GO TO HELL (1965, b&w): Poor Gigi Darlene. After being attacked by a janitor with bad teeth, she accidentally kills the guy, panics, and flees to New York -- which is when her troubles really begin! Insane exploitation that had a U.S. theatrical re-release in 1998! ANOTHER DAY ANOTHER MAN (1966, b&w): A prim and proper newlywed becomes a hooker to pay the bills when her hubby suddenly gets sick, leading to the inevitably hilarious tragic ending... Two berserk classicks from director Doris Wishman (THE AMAZING TRANSPLANT). Plus extras including Drive-In intermission shorts!

THE BEAST THAT KILLED WOMEN / THE MONSTER OF CAMP SUNSHINE: Crackpot Nudist-Camp Horror-Film Drive-In Double feature! THE BEAST THAT KILLED WOMEN (1965, color): Nudists run for cover when a goofy-looking gorilla invades a nudist camp in Miami! THE MONSTER OF CAMP SUNSHINE (1964, b&w): A nudist camp’s pudgy gardener drinks an experimental chemical which turns him into an axe wielding maniac with a Moe Howard haircut! Two screwy bare-ass gems best viewed in the nude! From 35mm negatives. Plus extras including nudist-camp short subjects and Drive-In intermission spots!

THE BLACK CAT / THE FAT BLACK PUSSYCAT: Kooky Killers and Frisky Felines Prowl the Dark Alleys of this Horror-Noir Double Feature! THE BLACK CAT (1966, b&w): Believing that a black cat is the evil reincarnation of his father, a psychotic writer puts an axe through his wife’s head, then walls her up in the basement, in this off-beat, shot-in-Texas, Sixties-update of the Edgar Allan Poe classic. THE FAT BLACK PUSSYCAT (1964, b&w): Starting at the Fat Black Pussycat cafe, two detectives trudge through the Greenwich Village beatnik scene of the early Sixties to stop a psycho killer with a fetish for shoes. From 35mm. Plus extras.

BLAZE STARR GOES NUDIST (1965, color): A Nudist Starr is Born! Escaping from the limelight and her sleazy agent-boyfriend, legendary red-haired stripper Blaze Starr finds health and happiness by strutting around a Florida nudist camp in her birthday suit. She also falls for camp director Tony Sandler, a grinning galoot in oversize shorts... Skin, sun, and Miss Starr’s incredible curves in another bubbly Doris Wishman (NUDE ON THE MOON) production. From the 35mm negative. Plus extras.

BLOOD FEAST (1963, color): Lunatic caterer Fuad Ramses prepares “an Egyptian feast” from assorted body parts borrowed from nubile young women... The world’s first “gore film,” BLOOD FEAST is both hilarious and outrageous, and the infamous “tongue scene” still makes one gasp. An over-the-top classick from cult director Herschell Gordon Lewis and producer David F. Friedman, who went on to complete “The Blood Trilogy” with TWO THOUSAND MANIACS! and COLOR ME BLOOD RED. From the 35mm negative. Plus trailer, outtakes, and the meat-slicing short CARVING MAGIC.

THE BODY BENEATH (1970, color): Prissy preacher Algernon Ford, a centuries-old vampire, is organizing a family reunion. Despondent over his relatives’ “deteriorating bloodline,” Ford and a trio of green-faced vampire gals make the acquaintance of three of his descendants. Using one as a blood bank, and another as the main course of a bloodsucker banquet, the good reverend plans on using cousin Susan as a breeder for a vampire baby... Eccentric low-budget horror from cult director Andy Milligan that climaxes with an effectively nightmarish vampire soiree. From 35mm. Plus extras.

BOWANGA BOWANGA / WILD WOMEN OF WONGO / VIRGIN SACRIFICE: Savage Tribes, Savage Women! Look out boys, the Ulama are loose! Yup, "the legendary White Sirens of Africa" -- a tribe of Fifties-era glamour girls who look like strippers in animal skins -- capture three male explorers who foolishly invade their secret plateau. Seeking a suitable husband, the Queen makes the guys fight the toughest gal amongst them: "Fire God take weak men! Queen take strong man!" But the other women object -- "She no burn nice men! We get husbands too!" -- and a tribal catfight quickly erupts.... A mad mix of stock footage and cheesecake, BOWANGA BOWANGA (b&w / 61 minutes / 1951 / unrated) is an utterly hilarious jungle-style Battle of the Sexes! And: On a tropical island 10,000 years ago, Nature plays a practical joke. The village of Wongo contains women who are all cover-girl gorgeous while the men are ugly "brutes." Miles away, the men of Goona are handsome though the Goona women are... well... downright scary. But when an impending invasion of Ape Men causes the tribes to meet, THE WILD WOMEN OF WONGO (color / 72 minutes / 1958 / unrated) go gaga over the Goona guys, get tough, and force the men into marriage at the Temple of the Dragon God.... A screwball cult classic -- shot at Florida's Coral Castle in "Passionate Pathecolor" -- THE WILD WOMEN OF WONGO is so amazingly stupid that it's almost profound. Plus: A captive young lady is about to become a VIRGIN SACRIFICE )color / 63 minutes / 1959 / unrated) unless a big-game hunter can get to her first in this colorful jungle epic "actually filmed in Guatemala with Vicuni Savages" and featuring some surprising-for-its-time nudity! Bring a loincloth. Plus extras.

CARNIVAL OF BLOOD / CURSE OF THE HEADLESS HORSEMAN: Finally, Amusement Parks for Homicidal Maniacs!  A lunatic on the loose turns Coney Island into a CARNIVAL OF BLOOD as he rids the world of hilariously annoying women via gory murders in the splatter style of Herschell Gordon Lewis. Investigating the bloodshed are Dan, a gung ho district-attorney-in-training, and his reluctant fiancée, Laura. But -- oops! -- Laura turns out to be just as annoying as the victims and by the time Dan discovers a teddy bear filled with human entrails (!), Laura is riding the Wonder Wheel with the psycho killer who not only has a false face, but a weird mommy complex: "I have to kill you, Mommy, I HAVE to..." A strange little sickie, CARNIVAL OF BLOOD also stars Burt Young (you know, Paulie in the ROCKY movies) as a hunchback named Gimpy. Plus: When med student Mark Callahan inherits his uncle's wild-west tourist attraction, he also inherits the CURSE OF THE HEADLESS HORSEMAN. Though the creepy caretaker warns him that the place is haunted, Mark and his semi-hippie friends nevertheless move into the place and, sure enough, the cranium-missing cowboy appears, terrifying the hippies by splashing blood on them from a severed head he carries. Really. With a decidedly trippy feel to it -- indeed, the best scene has the horseman stalking a gal on acid -- THE CURSE OF THE HEADLESS HORSEMAN also boasts a cameo by Warhol superstar Ultra Violet who wanders around carrying a Superman lunch box.

CHAINED GIRLS / DAUGHTERS OF LESBOS: Wild Women Who Need No Men! Do you know the difference between "the Bull Dyke, the Stomping Butch, and the Baby Butch"? If not, then immediately watch CHAINED GIRLS -- an hilariously outrageous exposé of the Lesbian Gay Scene of the Sixties -- and learn the True Facts about these predatory she-wolves who prowl the streets of Manhattan after dark!

See: "The Secret Haunts and Mysterious Life of the Lesbian!"

See: "A Bull Dyke Fighting to the Death for Her Femme!"

See: "Lesbians so in Love with One Another that They Marry and Live as Husband and  Wife!"

See: "A Young Deb making Her Debut as a Daughter of Lesbos by being Subjected to  the Most Shocking and Horror-Filled Initiation Ever Imagined!"

Yes, it's EXACTLY the kind of serious sociological statement you'd expect from the makers of GLEN OR GLENDA and OLGA'S HOUSE OF SHAME. And remember: "The Butch of today could become the Femme of tomorrow! Plus: Join Dominique and her galpals for a special meeting of the DAUGHTERS OF LESBOS, "a lesbian organization dedicated to the proposition that women are superior beings." After Helga gets it on with a counselor at a girl's camp, Dominique splashes in a tub with a pretty young playmate, and Maxine ("a female stud") makes it with a hippie hitchhiker, the meeting ends the way secret lesbian meetings of the Sixties ALWAYS ended -- with some poor guy getting castrated! Yow!

COLOR ME BLOOD RED (1965, color): The Newest Trend in Art is Type O Negative! The oddball paintings of an obscure out-of-his-mind artist suddenly become popular after he begins using a special new pigment -- human blood, specifically from sexy young women... Another twisted gore classick from director Herschell Gordon Lewis and producer David F. Friedman, and the third in their infamous “Blood Trilogy” (following BLOOD FEAST and TWO THOUSAND MANIACS!) From the 35mm negative. Plus outtakes and extras.

COMMON LAW WIFE / JENNIE WIFE-CHILD: Man and Wife, the Backwoods Way! Wealthy old coot Shugfoot Rainey wants to trade in his over-the-hill mistress, Linda, for his young niece, "Baby Doll" Jonelle -- a pouty-faced stripper from New Orleans. But Linda has a surprise for both: according to Texas law, she's Shugfoot's COMMON LAW WIFE and has no intention of leaving quietly. Jonelle, however, is so eager to get her greedy mitts on Uncle Rainey's loot that she ups the ante by having a moronic moonshiner put cyanide in Shugfoot's whiskey! All of which leads to the two women eventually squaring off in a surprisingly violent showdown.... With its small-town setting and hilariously rotten characters, COMMON LAW WIFE is an overripe slice of Southern sleaze courtesy of cult director Larry Buchanan, the outrageous auteur of MARS NEEDS WOMEN! Plus: 20-year-old JENNIE: WIFE/CHILD is unhappily married to the way too-old-for-her Albert Peckingpaw. So much so that she puts the moves on Mario, the hunky hired hand. But when Albert realizes Jennie and Mario have been makin' bacon in the barn, he drugs them, chains them in the cellar, and digs their graves. Which is when Lulu Belle, the cheerful "town floozie," unexpectedly pays Albert a visit.... From the director of THE SADIST and featuring photography by Vilmos Zsigmond (CLOSE ENCOUNTERS OF THE THIRD KIND), and music by Davie Allan and the Arrows, JENNIE: WIFE/CHILD easily exudes the long-lost charms of an evening at a Carolina drive-in!

CONFESSIONS OF A PSYCHO CAT (1968, b&w): In the middle of mental breakdown, big-game hunter Virginia offers an actor, a junkie, and a wrestler (played by boxing legend Jake La Motta) $100,000 “if they can stay alive in Manhattan for 24 hours.” The catch? She’s going to hunt them down like animals... A wonderfully lunatic updating of “The Most Dangerous Game” with twisted violence, macabre humor, and lots of gratuitous skin. And the scene where “psycho cat” Virgina, dressed like toreador, comes after “Raging Bull” La Motta is exploitation at its best! From 35mm. Plus extras.

DAMAGED GOODS / THE HARD ROAD: Take a Tour Through Teenage Hell! Clean-cut Jim and good-girl Judy can't wait to graduate high school and get married. But when Judy's out of town, Jim and his pals take in the sleazy charms of a strip club where Jim loses his virginity to a young hooker working the bar. Oops. Judy hears the details at a weenie roast and immediately cancels their wedding plans, whereupon bad-girl Kathy promptly pounces on Jim: "Love me! Love me!" But -- uh oh -- Jim thinks he's "caught something" which his doctor confirms is nothing less than syphilis! Worse, the doc makes Jim watch a scary little film on the horrors of venereal disease.... Propelled by music from The Ventures, DAMAGED GOODS successfully merges the wholesome world of Kennedy-era kids with those sordid little sores that just won't heal! But it's all just a warm-up for our second berserk feature in which a teenage girl drowns in cheap sex and dangerous drugs while stumbling down THE HARD ROAD! After giving up her baby for adoption, 17-year-old Pam realizes "she can never be a kid again," so embarks on a career as a Hollywood tramp. She also climbs a billboard while high on grass, hooks up with hippies, shacks up with a junkie named Jimmy, and gets "a serious communicable disease." But when Jimmy is busted and freaks out in jail, Pam drops acid and makes like an airplane in the middle of a highway.... Wow. Not only is THE HARD ROAD an incredible late-Sixties time capsule, but ten exploitation films rolled into one! And remember: Tonight, ROMANCE! Tomorrow, REGRET!

THE DAY OF THE NIGHTMARE / THE SCREAM OF THE BUTTERFLY: Because Love Can Be Murder! What's with Doris Mays? One minute she's supposed to be dead, the next she's chasing her ex-boyfriend's wife with a steak knife! Crackpot artist Jonathan Crane had tried to end his extramarital affair with Doris by stuffing her murdered body in a trunk, but when Doris starts stalking Mrs. Crane, Jonathan realizes something's gone terribly wrong: "You were dead! Dead! Now stay dead!" But Doris DOESN'T stay dead, and despite the best efforts of police detective John Ireland (I SAW WHAT YOU DID), the ultra-creepy Miss Mays continues to persue Mrs. Crane in the hopes of permanently ending the marriage.... Featuring fun cameos from Elena Verdugo (HOUSE OF FRANKENSTEIN) and Liz Renay (DESPERATE LIVING), as well as photography by director Ted V. Mikels (THE CORPSE GRINDERS), DAY OF THE NIGHTMARE is a wacky mix of horror, sexploitation, and down-and-dirty psycho-kookiness. Plus: Two days after marrying rich Sap-of-the-Year Paul Williams, bosomy blonde sex-machine Marla Williams is making it with a "young Adonis" on the beach and planning on murdering Paul until -- oops! -- some surprising-for-its-time homosexuality twists the plot into a kinky pretzel.... With photography from cult fave Ray Dennis Steckler (WILD GUITAR) and one of the most cynical endings of the Sixties, SCREAM OF THE BUTTERFLY also marks the first time in cinema history that the leading lady is actually referred to on screen as "Miss Slutsy-Wutsy."

DEADLY WEAPONS (1973, color): She Doesn’t have Breasts, She has Deadly Weapons! When gangsters kill her boyfriend, the excessively endowed, ultra-bosomed Chesty Morgan (DOUBLE AGENT 73) seeks a kinky kind of revenge by seducing, then smothering the mobsters in her gigantic 73-inch boobs. Yes, 73-inch boobs with absolutely no artificial ingredients! To see it is to disbelieve it! Another completely deranged cult classick from director Doris Wishman (BAD GIRLS GO TO HELL). From the 35mm negative. Plus extras.

DEATH CURSE OF TARTU / STING OF DEATH: Special Swamp Horror Drive-In Double Feature! DEATH CURSE OF TARTU (1967, color): When a group of college archaeologists disturb the burial site of an ancient Indian witch doctor, his rotted corpse returns to life to teach them a lesson... STING OF DEATH (1967, color): A mad marine biologist attacks teenage Neil Sedaka fans when he turns himself into a mutant jellyfish man! That’s right, a mutant jellyfish man... Two regional rarities filmed deep in the Florida Everglades. From 35mm. Plus extras including Drive-In intermission shorts.

THE DEFILERS / SCUM OF THE EARTH: A Double Dose of Depravity Stains the Screen in this Drive-In Double Feature from producer David F. Friedman (SHE FREAK)! THE DEFILERS (1965, b&w): Two hedonistic young men abduct a sexy blonde to use as their own personal sex toy! Plus: Trying to earn money for college, a wholesome cutie is sucked into the degenerate world of the dirty picture racket when she agrees to model for THE SCUM OF THE EARTH (1963, b&w). An outrageous expose of early Sixties smut from cult director Herschell Gordon Lewis (JUST FOR THE HELL OF IT). From 35mm. Plus extras including Drive-In intermission shorts.

DIARY OF A NUDIST / NAKED VENUS: Ulmer! Wishman! Naked People! Two classic Nudist-Camp movies directed by two very different Cult Directors are together -- in THE ALTOGETHER -- for the first time in this Undressed Double Feature! When newspaper editor Arthur Sherman stumbles upon a nudist camp while out hunting, he's so horrified by the sun lovers on display that he orders sexy ace reporter Stacey Taylor to enroll in the camp and expose its sinful ways. But surprise! Stacey is so thrilled with the jaybird lifestyle that her DIARY OF A NUDIST becomes a gleeful endorsement.... A.k.a. NATURE CAMP CONFIDENTIAL, DIARY OF A NUDIST is another wacky gem from director Doris Wishman, the woman who gave the world BLAZE STARR GOES NUDIST and NUDE ON THE MOON!

Plus: Mother-In-Law-from-Hell Mrs. Dixon is so appalled to learn that Yvonne, her son's French sexpot of a wife, was the nude model for the painting THE NAKED VENUS that she immediately starts divorce proceedings: "We don't believe in Commercialized Nudity!" Distraught, Yvonne first hides away at the Royal Palms Nudist Park, then decides to fight back in court. But it all turns into a quasi-legal peep show when secretly-shot films of Yvonne's nature camp proclivities are shown to the judge.... Though listed in the credits as "Ove H. Sehested," the director of NAKED VENUS VENUS (1958, b&w) is actually cult-fave Edgar G. Ulmer, who helmed such poverty row classics as DETOUR, MAN FROM PLANET X, and DAUGHTER OF DR. JEKYLL! And remember, they're nude but not lewd! From 35mm negative. Plus outtakes and extras.

DOUBLE AGENT 73 (1974, color): Chesty’s Back and She’s Ready to Explode! The humongously-hootered Chesty Morgan (DEADLY WEAPONS) stars as a secret agent (in giant red platform shoes) sent to bust up a drug ring with the help of a miniature camera surgically implanted in one of her 73-inch breasts! As if that weren’t wacky enough, what she doesn’t know is that the camera is actually “booby-trapped’ and set to go boom in 48 hours... Another totally berserk breast fest from director Doris Wishman (ANOTHER DAY ANOTHER MAN). From the 35mm negative. Plus extras.

THE EROTIC ADVENTURES OF ZORRO: When evil tyrant Luis Bonosario enslaves the people of 19th century Los Angeles, Don Diego de Vega, "The greatest swordsman in Spain," returns from Madrid to make the world safe for truth, justice, and naked women! Posing as a limp-wristed pansy by day (who rides a white donkey while clutching a parasol), Don Diego secretly becomes Zorro at night, "brandishing his long, quick rapier!" When he's not helping the oppressed, fighting duels, or slashing the letter "Z" onto derrieres, Zorro is busy bedding down a gaggle of gorgeous senoritas until he zeros in on Maria, Bonasario's lovely niece. A wild, witty, genuinely funny, big-budget sex comedy from producer David F. Friedman, "The Erotic Adventures of Zorro" is the "Naked Gun!" of Zorro flicks!

THE FIEND OF DOPE ISLAND / PAGAN ISLAND: Gilligan's Island This Ain't... Former screen Tarzan Bruce Bennett is THE FIEND OF DOPE ISLAND, a sadistic maniac named Charlie Davis who lords over a tiny Caribbean isle with his trusty bullwhip. Not content with smuggling guns and growing marijuana, Charlie also hires sexy dancer Glory La Verne, "a stick of dynamite with a real short fuse," (as played by "The Yugoslavian Bombshell" Tania Velia) to "entertain him" at his flea-shack of a cantina. Instead, Glory zeroes in on Charlie's main man, Davey (LASSIE's Robert Bray), and the two lead a native uprising against Charlie who retaliates by going... well, completely berserk. A.k.a. WHIPLASH, and theatrically released by David F. Friedman, THE FIEND OF DOPE ISLAND is not only lovingly lurid but features an amazing out-of-control performance by Mr. Bennett, who doesn't just chew scenery but swallows it whole! Plus: Shipwrecked Sailor William Stanton finds himself the only man among a tribe of semi-naked man-hating women when he washes up on PAGAN ISLAND! Falling in love with Nani Maki, "the bride of the Sea God," he soon discovers that his rival for her affection is... a giant clam. With a cast of gorgeous gals hand-picked by famous PLAYBOY photographer Bunny Yeager, PAGAN ISLAND is exactly the kind of tropical island insanity you'd expect from the director of THE BEAST THAT KILLED WOMEN!

FLESH AND LACE / PASSION IN HOT HOLLOWS: Nympho a Go-Go! Gilda, dancing like a sexy automaton on the floor of a dingy bar...Joan, hopelessly addicted to a man who's no damn good... Julius, so in love with a nymphomaniac that he starts procuring other men for her... In other words, FLESH AND LACE (b&w / 73 minutes / 1965 / unrated). In better words, another sexploitation classic from director Joe (SIN IN THE SUBURBS) Sarno! Though Beverly's behavior as a bar girl implies a hatred of men, her real problem is repressed nymphomania, a condition she isn't aware of until Rook, the scary boyfriend of her roommate Joan, climbs into her bed one night. Their affair, however, is cut short when Joan catches them, beats the bejesus out of Bev, and throws her into the street. Black & blue, she wanders into a toy store owned by the lonely Julius (Joe Santos of THE ROCKFORD FILES) who's so smitten with her that he lets her live in the basement while trying to provide her with all the men she needs. Unfortunately, it all turns violent when Rook becomes so desperate for cash that Joan suggests he rob that very same toy store.... Plus: Eager to give her straitlaced sister Jean "a big jolt," slut-machine Norma Sue and her "stud bull" of a boyfriend shake up a small town when they shack up at the little inn Jean runs. After seducing an all-too-eager waitress and engaging in numerous threesomes with the locals, the couple not only corrupts Jean, but ignites some serious PASSION IN HOT HOLLOWS (b&w / 84 minutes / 1969 / unrated) -- a second searing sin saga from the sublime Mr. Sarno! Plus extras.

THE GHASTLY ONES / SEEDS OF SIN: Madness! Murder! Milligan! Direct from the outer fringes of Bizarro Cinema comes this Sex-Gore Double Feature from notorious underground filmmaker Andy Milligan! Collecting the inheritance on their father's will turns into an orgy of dismemberment, disembowelment, and decapitation when THE GHASTLY ONES (color / 71 minutes / 1968 / unrated) spend a weekend in their dead dad's old mansion and are sadistically slaughtered one by one. Three sisters and their husbands must live together "in sexual harmony for three days" at Crenshaw Manor where they're attended to by a craggy old housekeeper, her imbecilic rabbit-eating son, and a psycho killer in a hooded cloak who marks victims with an "X" before hacking em up! With its eye-wrenching photography, over-the-top violence, and atmosphere of complete mental decay, THE GHASTLY ONES is a no budget gorefest made as only Milligan made them, and originally touted as "The Stomach-Shocker of Your Life!" Plus: Another family reunion ends in multiple murders when crazy Carol decides to gather her siblings for a Christmas get together over the strenuous objections of her invalid ma: "You're a bunch of bad seeds!" Those SEEDS OF SIN (b&w / 77 minutes / 1968 / unrated) are then quickly disposed of via electrocution, stabbing, strangling, poisoning, and even a face full of acid. All of which is punctuated with nude scenes starring people we've never seen before.... Two sickies from the eccentric Mr. Milligan that so assault the senses, you might end up bruised. Plus extras.

GHETTO FREAKS / WAY OUT: Social Rejects! Hanging out at a late-Sixties rock club, Stoner-freak Sonny watches as a wealthy mother tries to "rescue" her daughter from the corrupting hippie environment. Acting quickly, Sonny slips the girl the address of his nearby House of Hippies and, moments later, she's taking her first LSD trip and having group sex on the floor! Sonny then shows her the joys of panhandling and the thrill of protesting in the park before some drug dealers remind everyone that reality really sucks.... Originally released as both SIGN OF AQUARIUS and LOVE COMMUNE, this stoned-out slice of hippie life -- filmed in Cleveland of all places -- was re-released as GHETTO FREAKS (1970, color) courtesy of a bogus blaxploitation ad campaign and the addition of two minutes of new footage featuring the black leader of a kinky love cult.... Plus: From Irvin S. Yeaworth, the director of THE BLOB, 4D MAN, and DINOSAURUS, comes WAY OUT (1966, color), an intense and surprisingly affecting story of Puerto Rican drug addicts in the Bronx. Frankie and Jim are best buddies who enjoy getting high until their addiction to heroin force them to burrow through a harrowing underworld of fellow junkies, crime, and violence where their only goal is "to get that fix, get that fix...." With a cast comprised entirely of real-life former addicts -- who break character at the end to provide a startling and hopeful coda -- "this is a crazy WAY OUT world which squares just won't believe...." Plus extras.

GIRL IN TROUBLE / GOOD TIME WITH A BAD GIRL / BAD GIRLS DO CRY: There's Nothing as Good as a Girl Gone Bad! Wholesome Judy Collins becomes a GIRL IN TROUBLE (b&w / 78 minutes / 1963 / unrated) when she defends her virtue by killing a man, then promptly loses that virtue by hiding out as a lingerie-model-turned-stripper! Wanting to experience "a taste of life" before marrying Johnny, her small town sweetheart, Judy hitches a ride to New Orleans, kills a man who attacks her, and ends up washing blood off her brassiere in a flea-bag hotel: "Would I ever feel clean again?" On the advice of an old hooker, Judy takes a dubious modeling job only to get attacked AGAIN! Thinking things can't get any worse, she struts her stuff on the stage of The Club Flamingo when who should enter but her boyfriend Johnny.... Plus: On a trip to Las Vegas, a lonely middle-aged man hits the jackpot when he meets Susan, a young lady half his age, and has a GOOD TIME WITH A BAD GIRL (b&w / 59 minutes / 1967 / unrated). Though aware that she's "completely without morals," he's nevertheless shaken when they attend an orgy and Susan ends up in the sack next to a horny cowboy (ROLLERBALL's John Beck) and a lesbian with a vibrator.... And: Sally Down (burlesque star Misty Ayers) proves that BAD GIRLS DO CRY (b&w / 55 minutes / 1954 / unrated) when she's drugged, held prisoner, and forced to work in a whorehouse. Unfortunately, when All-American Tommy Cole tries to help her escape, a trigger-happy hood comes gunning for him and Tommy is forced into hiding... behind a telephone pole. Three girls, three features: lurid, sleazy, and downright hilarious. Plus extras.

GODMONSTER OF INDIAN FLATS (1973, color): Gaseous vapors from an ancient mine give birth to a strange embryo which is taken to the lab of a local mad doctor who helps it grow into an 8-foot mutant sheep! Get that? An 8-foot mutant sheep! The wool-covered creature escapes from the lab, throws the residents of an historic wild west tourist town into a panic, and even dances with a hippie chick before it’s captured by cowboys and put on display in the town dump: “Feast your eyes on the 8th Wonder of the World!” Yow. Lunatic science fiction guaranteed to drop any jaw. From 35mm. Plus extras.

THE GORE GORE GIRLS (1972, color): The sexy go-go girls employed by comic Henny Youngman for his strip club become the gore-gore girls when they’re murdered, mangled, and mutilated by a psychotic killer with a grudge against g-strings and pasties... A sick mix of twisted comedy, topless dancing, and ultra-gore -- including everything from butt bashing to eyeball popping -- makes this the ultimate gross-out from director Herschell Gordon Lewis (THE WIZARD OF GORE). Yipes! From 35mm. Plus extras.

THE GRUESOME TWOSOME (1968, color): “The Most Barbaric Humor Since the Guillotine!” With an electric carving knife he got for his birthday, Rodney, an imbecilic psycho, removes the scalps of pretty young college coeds which his mother, a little old lady lunatic, then sells in her “wig” shop... A macabre blend of humor and horror from cult director Herschell Gordon Lewis (THE GORE GORE GIRLS) complete with blood, pajama parties, stock car racing, and beach blanket bingo! From the 35mm negative. Plus extras. [Already available on DVD in the U.S.]

HIGH SCHOOL BIG SHOT / HIGH SCHOOL CAESAR / DATE BAIT: Tough Teens in Tons of Trouble! Things turn tragic in Teensville when the Smartest Kid in School gets stupid and becomes a HIGH SCHOOL BIG SHOT (b&w / 60 minutes / 1958 / unrated). Smarty-pants Marvin Grant immediately falls in love with bad-girl Betty when she unexpectedly stops Vince, the school bully, from clobbering him. Though Betty's motive is to con Marv into secretly writing a term paper for her, the poor jerk is so smitten that he decides to impress her by organizing a safe-cracking team to steal a million dollars in drug money! But while Betty wants the dough, she doesn't want Marvin, and manipulates Vince into robbing the robbers in this rarely seen, hilariously mean-spirited teenage obscurity! Plus: Rich-kid Matt Stevens is "a pampered little punk" with a butler, two cars, and all the money he needs -- which doesn't stop this HIGH SCHOOL CAESAR (b&w / 70 minutes / 1960 / unrated) from collecting "protection insurance" from fellow classmates who payor get pummeled. But when power-mad Matt kills a rival student, then abducts Wanda, the New Girl in School, his birthday party suddenly becomes his very own Ides of March.... Also: Sexy Sue Randall is the girl good-kid Danny wants to marry, and the DATE BAIT (b&w / 71 minutes / 1960 / unrated) that drives bad-boy Brad crazy -- SO crazy that Brad gets high on the supply of drugs he sells for his older brother, flips out, and kidnaps Sue. Or, as the cops put it: "Dope addict holding girl at gun point...." So dig this Teenage Triple Bill from the rock-'n'-roll days of hot cars, cool chicks, and kill-happy kicks! Plus extras.

THE HOOKED GENERATION / THE PSYCHEDELIC PRIEST: Back When the World was One Big Freakout! The whole planet seems to be on one outrageous trip in this Psychoactive Time Capsule of homicide, hypodermics, and hippies-gone-bad from drive-in director William Grefé. Three scary specimens of THE HOOKED GENERATION -- Daisy, Acid, and Dum Dum -- want to be big-time drug dealers but have the collective I.Q. of a pack of rolling papers. That doesn't stop them, however, from scoring a boatload of narcotics by killing Cuban smugglers, massacring members of the Coast Guard, and making hostages out of two do-gooders who stumble onto the scene. But when the gang learns that the drugs are too hot to unload, they go scurrying into the Everglades as the FBI closes in.... Sick fun from the man who made STING OF DEATH which proves once and for all that swamps and syringes just don't mix. Plus: When Father John accidentally drinks a soft drink spiked with LSD and quickly trips his brains out, he becomes THE PSYCHEDELIC PRIEST. Setting off across America on a journey of self-discovery, he falls in love amidst the world of hippies and heroin until finally hitting rock bottom on skid row.... Originally titled ELECTRIC SHADES OF GREY, THE PSYCHEDELIC PRIEST is a unique dose of acid-fueled nostalgia that's almost worth missing Sunday church for. Say amen, somebody!

INDECENT DESIRES / MY BROTHER'S WIFE: Love Makes the World Go Weird! Creepy Zeb finds the love of his life when he looks in a trash can and sees... a plastic doll. Ah, but when Zeb caresses that doll, he magically feels the warm tender flesh of a pretty blonde secretary named Ann, who can't understand why invisible hands are suddenly playing touchy-feely with her! Unable to resist his INDECENT DESIRES, Zeb's sick obsession with the doll -- and his long-distance love affair with Ann's body -- leads her to believe she's going insane. Which is how YOU'LL feel watching this utterly crackpot supernatural sex epic from cult director Doris Wishman – the Grande Dame of the Grindhouse -- which is easily one of the most bizarre skinflicks ever made! But Doris ain't done with you yet. Also on the double bill is MY BROTHER'S WIFE, Wishman's ode to love, lust, and marital non-bliss, in which sweet little Mary falls in love with Frankie, the slimeball brother of her dull hubby Bob. But when Frankie suggests Mary get money so they can run away together, he neglects to mention his OTHER girlfriend, the marvelously sleazy Zena.... Yes, here are two films set deep in Wishmanland, a parallel universe full of lingerie-clad lovelies speaking surreal off-camera dialogue, where inanimate objects take on baffling significance, and the photography is often dazzlingly out of control -- such as the magic moment when actress Darlene Bennett strolls over to the camera and actually SITS on the lens! But beware: One dose of Doris and you'll FOREVER be changed.

JOHNNY FIRECLOUD / BUMMER: The American Dream is Really a Nightmare... The Seventies Shock Again in this Ultra-Angry Double Feature from producer David F. Friedman! Named for the atomic bomb, Native American JOHNNY FIRECLOUD (1977, color) returns from Viet Nam to a desert town controlled by a white-trash bigot named Colby who hates Indians in general and Johnny in particular. Enraged that his daughter is in love with Firecloud, Colby catches them together, whips the bejesus out of Johnny, and has him tossed in jail. Worse, Chief White Eagle, Johnny's drunken grandfather, sobers up enough to demand Johnny's release and, instead, the poor guy is promptly lynched. All of which leads to Johnny escaping from his cell and staging a one-man Indian massacre against Colby and his racist cronies that begins with a good old-fashioned SCALPING... With gruesome makeup effects and an unflinching script, JOHNNY FIRECLOUD also features Ralph Meeker (KISS ME DEADLY) as the despicable Colby, Emmy award winning David Canary as the sheriff running from his sexual past, and Sacheen Littlefeather, the Native American who Marlon Brando sent to the Academy Awards to refuse his Oscar for THE GODFATHER! And remember: "Justice doesn't live here anymore!" Plus: Take three hot-to-trot groupies, mix well with the seventies L.A. rock scene, add plenty of sex, drugs, and violence, then watch as it all explodes into one big BUMMER (1973, color)! In other words, "A Far-Out Trip Thru a Hard Rock Tunnel!" Both from 35mm negative. Plus extras.

JUST FOR THE HELL OF IT / THE BLAST-OFF GIRLS: Revved-Up Youth go on a Rock &  Roll Rampage in this Drive-In Double Feature from director Herschell Gordon Lewis (SHE-DEVILS ON WHEELS)! JUST FOR THE HELL OF IT (1968, color): A crazed bunch of teens run amok in a suburban community by attacking the local gals, turning a restaurant into rubble, and tossing a baby into the garbage! A wild, ahead-of-its-time exploitation gem! THE BLAST-OFF GIRLS (1967, color): A slimy talent agent turns a ragged rock band into an overnight sensation via blackmail, marijuana, and plenty of sexy girls! Features a kooky cameo by Kentucky Fried Chicken’s Colonel Sanders! From 35mm negative. Plus extras including Drive-In intermission shorts.

KARATE HAND OF DEATH / THE MARTIAL-ARTS-MAYHEM KUNG-FU TRAILER SHOW: It'll Kung the Fu Out of You! Before there was Bruce Lee, Jackie Chan, or Odd job, there was KARATE HAND OF DEATH (b&w / 79 minutes / 1961 / unrated), the first martial arts movie ever released in America! When an ex Nazi is murdered in the streets of Japan, a mysterious coin stolen from his corpse is found in the possession of Matt Carver, an American with a black belt in Karate and huge scars on his knuckles to prove it. Besieged by killers who crave the coin, Carver quickly learns that it leads to a million-dollar fortune in stolen plutonium as well as a duel to the death with a karate chopping psycho -- all in glorious eye-splitting widescreen! Plus: We leap from Japan to China for THE INCREDIBLE MARTIAL-ARTS-MAYHEM KUNG-FU TRAILER SHOW containing over Two Hours of Bone-Busting, Fist-Flying Action with 50 -- count 'em, FIFTY! – Previews from the Wildest Martial Arts Movies Ever Made!

LOST, LONELY AND VICIOUS / JACKTOWN: Prison... Hollywood... Sometimes You Just Can't Tell 'Em Apart! Brooding bad boy Johnny Dennis isn't just LOST, LONELY AND VICIOUS, he's also a Hollywood star "obsessed with death." After watching the premiere of his first film from the shadows of an alley, Johnny ditches the older woman/acting-coach he's been having an affair with, beats up a struggling actor, and falls in love with a sweet teen drug-store clerk (Barbara Wilson of TERROR IN THE MIDNIGHT SUN). But faster than you can say "James Dean," the "kinda strange" Johnny is speeding his Ford Thunderbird down a lonely stretch of road in the middle of the night.... Calling itself "a realistic documentary" (huh?!) and meant to evoke the memories of the late star of REBEL WITHOUT A CAUSE, LOST, LONELY AND VICIOUS might more accurately be described as DEANSPLOITATION. It's also the best movie about Hollywood ever made in Tuscaloosa, Alabama.

Plus: 21-year-old tough guy, Frankie Stossel, has his life of crime interrupted when he's caught making out with an underage car hop and sentenced to JACKTOWN, "the world's largest prison in Jackson, Michigan." But since "morals charges is against their religion," the cons make things rough for Frankie until he escapes and takes refuge with the warden's daughter, Miss Patty McCormack, the BAD SEED herself.... A brisk little "B" with actual footage of "one of the most infamous riots in prison history," JACKTOWN asks one of the top-ten questions of the universe: "Was he born to be bad?"

THE LOVE CULT / MUNDO DEPRAVADOS: Join the Club and Die! The Great Eric, a down-on-his-luck hypnotist, sees a preacher on TV and finds divine inspiration: "I'll create a cult! A LOVE CULT! Give 'em a religion with a pay-off!" Changing his name to Brother Eros, he sets up shop in a suburban community and preaches the gospel of love to a congregation of mostly busty young ladies who are hypnotized into giving up their bodies as well as their worldly goods. And when a rich nymphomaniac looking for kicks offers the cult one of her homes as a "Temple of Love," Eros labels her "Pigeon of the Year" and quickly converts most of her mansion into "Rooms of Worship." But things quickly go bad when all that free-lovin' inevitably leads to violence: "See the Hell they would give me in return for the Heaven I promised them!" Off-beat, often witty, and frighteningly prescient, THE LOVE CULT was made years before Jim Jones, David Koresh, or Charles Manson ever hit the headlines. Hallelujah, brother! Plus: When a skulking psycho starts murdering the lovely ladies of the Temple of Beauty Health Club, Miss Tango, the spa's shapely owner -- played by legendary strip goddess Tempest Storm -- offers herself as bait for the killer by putting on a special performance at the local burlesque house: "See Tango and the Sex Monster! Maybe this act of mine will bust things loose!" It's just part of the maniacal madness found in MUNDO DEPRAVADOS which, of course, means WORLD OF THE DEPRAVED. And how!