MA BARKER'S KILLER BROOD / GANG BUSTERS: "Everything SQUEALS When It Dies..." Tired of being poor, Katherine Barker encourages her kids to steal -- starting with the church collection plate! By the time they're adults, Mama's not only planning the clan's capers, but joining them on jobs: "Shoot him, Herman, shoot him!" Under her homespun tutelage, MA BARKER'S KILLER BROOD (b&w / 89 minutes / 1960 / unrated) rob an armored car, kidnap a bank president, set fire to a quack plastic surgeon, and even throw a party with Baby Face Nelson, Machine Gun Kelly, and "Johnny" Dillinger as guests.... Though it plays havoc with the facts, MA BARKER'S KILLER BROOD is how things SHOULD have been. And after seeing this hilariously over-the-top B movie bio-pic, it's damn near impossible to think of Ma Barker as anyone other than character actress Lurene Tuttle (PSYCHO) who's baking cherry pies one minute, then mowing down Feds with a machine gun the next! As a G-man puts it: "If you didn't know the old witch, you'd swear she was somebody's sweet old grandmother!" Crime films just don't come crazier than THIS! Plus: After twice disguising himself as a one-armed man -- and getting arrested both times! -- "Master Criminal" John Omar escapes from prison only to be buried alive in GANG BUSTERS (b&w / 79 minutes / 1954 / unrated), an oddball "true" anti-crime epic which chooses for its subject not Public Enemy No. 1, or Public Enemy No. 2, or even Public Enemy No. 3, but Public Enemy NUMBER FOUR! And remember, kids: "Some punks NEVER learn!" Plus extras.

MARIHUANA / ASSASSIN OF YOUTH / REEFER MADNESS: Three Cannabis Classicks from the 1930’s Smoke Up the Screen in this Reefer Triple Feature! Weed turns a good girl into a heroin-selling slut out to kidnap a kid in MARIHUANA (1936, b&w)!  ASSASSIN OF YOUTH (1937, b&w): A clean-cut reporter tries to infiltrate a teenage gang of potheads, only to plunge into a pit of doobie-induced immorality! Plus the infamous REEFER MADNESS digitally transferred from an original 35mm release print entitled DOPED YOUTH! From 35mm. Plus extras.

THE MEATRACK / STICKS AND STONES: "Oh, Mister, You're Sure a Hunk o' Man!" J.C., a bisexual hustler with a mama fixation, sells himself to anyone who'll pay his price: "I said, ten bucks or I'll break your hand!" Turning tricks in the balcony of a movie theater, cruising a gay bathhouse, or offering himself along THE MEATRACK (color / 64 minutes / 1970 / unrated), J.C.'s only interested in cheap sex and quick cash. But when he sees an old coot attacking a Jersey-girl named Jean, J.C. rescues her -- and is immediately forced into making a porno by two knife-wielding transvestites! Fed up, J.C. decides to run away with Jean, but to get the cash needed to leave the life, he surreptitiously arranges a quick date with a leather-clad masochist -- which Jean walks in on. Oops.... Plus: Peter and Buddy are throwing a 4th of July Fire Island Party and you're all invited! Leather-Queen George will be there, bragging about his rubber bed sheets. So will The Lavender Guru, a loquacious flower child incessantly babbling hippiespeak. Bobby, who's "new to this whole thing," will be having a panic attack, and Bike-Boy Fernando will be showing off his new Prince Albert. Yet despite Peter and Buddy throwing STICKS AND STONES (color / 85 minutes / 1970 / unrated) at each other, the party will be a smashing success -- especially their inevitable end-of-the-romance tussle on the floor.... Two very different but equally nostalgic time capsules of the 1970 Gay Scene, full of love, lust, and naked butts. Plus extras.

MONDO BIZARRO / MONDO FREUDO (both 1966, color): Crackpot Mondo-Sexo Double Feature! “In this bizarre world of ours, love takes many forms. Some of them very... well... bizarre.” Two hilariously bogus “shockumentaries’” from producer Bob Cresse (LOVE CAMP 7) featuring black masses; topless mud wrestling; a Japanese nightclub “dedicated to sadism”; a human pincushion; a man eating a delicious bottle of glass; slave auctions; lesbian prostitutes; and, of course, plenty of big-breasted women! From 35mm negatives. Plus extras.

THE NAKED WITCH / CRYPT OF DARK SECRETS: She's Smart, Sexy, and Supernatural! Ding, dong, the witch AIN'T dead! After a college student digs up the mummified remains of "The Luckenbach Witch" and removes the stake from her ribs -- SHAZAM! -- via some godawful special effects, THE NAKED WITCH is alive and well and strolling through the Texas countryside in her birthday suit! Killing off the descendants of those who condemned her to death, she also seduces the student who eventually realizes he must send his sexy new girlfriend back to the grave.... A charmingly goofy, naughty-for-its-time regional rarity, THE NAKED WITCH is also the first horror film directed by cult fave Larry Buchanan, the man who gave the world ZONTAR THE THING FROM VENUS!

Plus: Sometimes living on a "haunted island" isn't so bad, as Vietnam vet Ted Watkins learns when he’s murdered and... well... doesn't quite die. Robbed of his cash by three motley thugs who invade his home in the swamp and leave him for dead, Ted awakens to find that instead of being deceased, he's the pet project of Damballa, a sexy witch woman who dances in the nude when she's not turning into a snake. After informing Ted that he now "exists in the world of the living dead" (which doesn't faze Ted in the least), she takes revenge upon his dimwitted killers with the help of a voodoo priestess, buried treasure, a smoking mummy case, and her CRYPT OF DARK SECRETS.... Shot in Louisiana, CRYPT OF DARK SECRETS is a particularly off-kilter example of Drive-In-Approved Southern-Style Swamp Horror!

THE NOTORIOUS DAUGHTER OF FANNY HILL / THE HEAD MISTRESS: The Lustiest Ladies of Literature star in this David F. Friedman (TRADER HORNEE) Double Feature for those in the Advanced Stages of Adulthood!  THE NOTORIOUS DAUGHTER OF FANNY HILL (1966, color): Like her dear old mom, Kissy Hill is a high-class courtesan who caters to royal kink. Starring pouty-lipped skin starlet Stacey Walker and featuring a surprise shock ending! THE HEAD MISTRESS (1968, color): Pretending to be stupid and mute, an over-eager stud becomes gardener at a 17th century school for young virgins! Based on two stories from “The Decameron”, and featuring a man-killing, woman-fondling “plant”! From 35mm negatives. Plus extras.

NUDE ON THE MOON (1960, color): A professor and his over-eager assistant build a spaceship, don space suits that look like super-hero costumes, and land on the moon where they discover -- are you ready? -- a lunar nudist camp (!!!) populated by shapely moon gals with pipe-cleaner antennae on their heads! And, say, doesn’t the Queen of the Moon look just like the professor’s secretary?... Goofy science-fiction nakedness from ‘The First Lady of Sexploitation,” Doris Wishman (BLAZE STARR GOES NUDIST), and featuring the non-hit tune, “Moon Doll.” From 35mm negative. Plus extras.

OLGA'S TRIPLE FEATURE: She Isn't Just Evil... She's OLGA! Meet Olga: a woman who "possessed a mind so warped that she made sadism a full-time business," and the maniacal character in five of the most notorious, hilariously twisted sexploitation films from the sick, sick Sixties. In the first of the series, Olga uses pot parties and comic-book violence to turn Gigi Darlene and other female captives into her WHITE SLAVES OF CHINATOWN (1964, b&w) before putting them to work as drug-addicted hookers. But Olga has her tender side too and, in the mood for romance, selects an occasional slave for a little lesbian loving: "The disease called Olga cannot be fought!" Then, after relocating to New Jersey, OLGA'S HOUSE OF SHAME (1964, b&w) is open for business! With the help of Nick, her malignant brother, and the sweet-faced Elaine, a victim turned protégé, Olga runs a crime syndicate while gleefully engaging in such extracurricular activities as bondage, torture, and the always popular "horse discipline." The most outrageous of the series, OLGA'S HOUSE OF SHAME also features a surprise announcement for an unmade Olga with a truly mind-boggling title.... Finally, things take a bizarre turn with the most obscure Olga of them all, OLGA'S DANCE HALL GIRLS (1966, b&w), in which a new brat-faced Olga recruits suburban housewives as "hostesses" for a dance hall which is really just a front for -- are you ready? -- a satanic cult! Ouch! For maximum effect, view while shackled. From 35mm. Plus extras.

PSYCHO LOVER / HEAT OF MADNESS: Make a Date and You're Dead! The only thing worse than being a homicidal maniac, is being treated by a doctor who's just as crazy. Which is what happens to out-of-his-mind Marco, a PSYCHO LOVER (1970, color) who strangles women that "threaten his maleness." However, because Marco believes he's only DREAMING about the murders he commits, he becomes the patient of lizard-like psychiatrist Dr. Kenneth Alden. But the doc's got problems of his own, namely a pretty young mistress and a nasty wife who won't give him a divorce. So the slimy shrink decides to brainwash Marco into killing the missus by giving him wacky nightmares that send Marco even FURTHER over the edge.... A gaudy mix of sex, violence, pop-psych, and even some quick necrophilia, THE PSYCHO LOVER (aka THE LOVING TOUCH) is a fun descent into B-movie psychosis: "Marco, dream time...." Plus: Johnny’s an oddball photographer whose dismissive attitude towards sex radically changes when he's hired to illustrate a book called GREAT SEX MURDERS, and soon has models staging mock whippings, robberies, and assaults. Trouble is, all the fake violence fuels the poor guy with the HEAT OF MADNESS and pretty soon he thinks one of his naughty models is actually his fiancée and promptly goes berserk....Two twisted sickies, PSYCHO LOVER and HEAT OF MADNESS once again prove that romance is always more exciting with a deranged lunatic. From the 35mm negative. Plus extras.

THE RAMRODDER / REVENGE OF THE VIRGINS: Cowboys & Indians the Something Weird Way!

It's the Naked West like you’ve never seen it before with this Nudie Double-Bill of the Craziest Cowboy Movies Ever Made! Cowpoke Rick, THE RAMRODDER (1969, color), falls in love with Indian maiden Tuwana the moment he sees her skinny-dipping with the other perfectly-shaped women of her tribe. Before you can say "Geronimo," the two quickly get acquainted by rolling around like tumbleweed. But as they make love, a toothless trail bum attacks Cochina, the tribal Chief's daughter. The Indians blame Rick, go on the warpath, and kidnap Lucy, Rick's pre-Tuwana girlfriend, who eases tensions with a campfire strip show. Tuwana eventually sets things right but only after she's whipped, virgin-tested, and falls into the arms of a sapphic-lovin' squaw.... From the vaults of David F. Friedman (SPACE THING), THE RAMRODDER contains all the ingredients of a classic western: lesbians, catfights, and Manson-family friend Bobby Beausoleil as a castrating injun! Plus: Jewell Morgan leads a group of gold-seeking prospectors through Indian territory only to encounter the REVENGE OF THE VIRGINS -- a tribe of bare-breasted Indian maidens who happily slaughter them one by one -- in this early nudie from director Pete Perry (KISS ME QUICK!). "Beware these Amazons of the West! Savage Guardians of the Golden Horde!" Outrageously un-PC, both THE RAMRODDER and REVENGE OF THE VIRGINS show exactly How the West Was Done! From 35mm negative. Plus extras.

RENT-A-GIRL / AROUSED / HELP WANTED FEMALE: Enter the Bizarre World of the Psycho-Sexual! Eager for a career in modeling, naive-and-not-very-bright Karen Anderson signs with a creepy brother & sister team whose RENT-A-GIRL (b&w / 75 minutes / 1965 / unrated) agency actually procures women for a rich and kinky clientele. Starting with posing for pictures in the nude, Karen soon graduates to being The Guest of Honor at a Special Party thrown by wealthy Harriet Grant, "a disgusting lady who enjoys whipping little girls 18 to 22." Full of sick eccentrics, the party's highlight comes when two women beat the bejesus out of Harriet before Karen is blindfolded and branded on the leg with a red hot poker.... Plus: A "Sex Killer" prowls the streets of Manhattan killing hookers whenever he's AROUSED (b&w / 73 minutes / 1966 / unrated): "This guy is a nut! He'll grab any woman he thinks is a whore!" But when the lesbian lover of working girl Ginny Smith is strangled by the maniac, Ginny turns vigilante and, together with some of her prostitute pals, invades the creepy mannequin-filled apartment of their number-one suspect whom they plan on turning into "a boy soprano...." Also: The phrase HELP WANTED FEMALE (b&w / 66 minutes / 1968 / unrated) takes on a sinister meaning when LSD causes Sebastian Gregory to tell a hooker all about how he and a bad blonde named Barbara murdered a teenage hitchhiker before he in turn hacked up Barb. The hooker thinks the acid is making him hallucinate -- until she finds blood in his bathroom and a trunk full of bones.... So live dangerously and let these three strange Nudie-Noirs bring out the Freak in you! Plus extras.

SATAN IN HIGH HEELS (1962, b&w): Sexy but treacherous Stacey Kane, an ambitious stripper in a small time carnival, steals $900 from her junkie husband, splits for New York and, with a leather outfit, riding crop, and a powerful singing voice, becomes a star in Grayson Hall’s nightclub. Things get complicated, however, when Stacey tries to end a complicated affair by hiring her hubby to commit murder... Great, gritty, tough-as nails exploitation. From 35mm. Plus extras.

SATANIS, THE DEVIL'S MASS / SINTHIA, THE DEVIL'S DOLL: Because It's More Fun To Be Bad!

"A religion based on man's carnal needs," is how "Satanist Minster" Anton Szandor LaVey describes his Church of Satan in the fascinating documentary SATANIS, THE DEVIL'S MASS, an up close look at LaVey and the satanic shenanigans filmed inside his infamous San Francisco "Black House" back in 1969. From the nude women decorating the altar, to the man dressed as a bishop who gets his fanny whipped before climbing in a coffin with a naked gal, we're treated to interviews with LaVey and his flock ("We're maybe more normal than normal people!"), as well as various startled neighbors ("He has completely sold himself to the devil!"), all of which is sandwiched between scenes of a Black Mass featuring hilariously corny B-movie booga-booga and LaVey wearing silly little devil horns. Regardless of your take on Anton or the devil, SATANIS, THE DEVIL'S MASS is a wonderfully oddball look at one of America's darkest pop-culture curiosities. Plus: After murdering her parents and setting the family home on fire, Cynthia Kyle becomes SINTHIA, THE DEVIL'S DOLL when Lucifer forces her to wander through a semi-psychedelic world of dreams and hallucinations in this ultra-bizarre mix of skin, daddy-lust, and art-film exploitation from cult fave Ray Dennis Steckler, directing under the moniker "Sven Christian." And remember, "If you're going to be a sinner, be the best sinner on the block!"

SCARE THEIR PANTS OFF! / SATAN'S BED: Oh No, It's Yoko! Yes, it's Yoko Ono, sex maniacs, and off-kilter kink in this goofy, ultra-gritty Grindhouse Double Feature! Since lunatics John and Bert can't enjoy sex unless their women are first properly terrified, they abduct three lovely ladies and attempt to SCARE THEIR PANTS OFF! A pretty blonde finds herself confronted by a Phantom-of-the-Opera-like figure who just wants a little kiss; trouble is, his face looks like the surface of the moon. Victim #2 wakes up strapped to a sacrificial altar where she's to be a gift to the god Apu while a third gal is inexplicably interrogated by the fascist police of some demented dictator. Of course, it's all just a crazy charade as John and Bert gleefully demonstrate why blind dates can be so scary... Plus: The same year that The Beatles' second film, HELP!, premiered, John Lennon's future soul mate, avant-garde artist Yoko Ono, made her acting debut in the twisted sickie SATAN'S BED. Ono, in a kimono, plays the Japanese bride-to-be of a drug-smuggling immigration agent who wants to abandon crime for life with Yoko. But Lou, a small-time drug dealer, doesn't want to lose his main supplier so he cancels the wedding by kidnapping Ono. And when he also hires three psychos -- Snake, Dip, and Angel -- to rough her up, they create a mini-crimewave that culminates in a wild attack upon... the wrong woman. Oy. So join Yoko for a typical day in Sin City that starts when you climb under the sheets of SATAN'S BED! b&w / 72 minutes / 1965 / not rated. Warning: This program contains nudity, violence, and Yoko! Plus many extras.

SHAME OF PATTY SMITH / "YOU'VE RUINED ME EDDIE!": "If You Were a Woman, You'd Understand...." Poor pretty Patty. An "average American girl," she goes on a quiet date with her boyfriend and ends up getting raped by three psychotic thugs. Too embarrassed to report it to the police and advised by her boyfriend to "forget the whole thing," THE SHAME OF PATTY SMITH (b&w / 91 minutes / 1962 / unrated) intensifies when her doctor tells her she's pregnant! Not wanting to deliver a child conceived in violence, Patty seeks an abortion. Trouble is, the year is 1962 -- Roe v. Wade is still 11 years away -- and finding a doctor that will perform the operation means going underground, starting with a greasy bartender who sets her up to be "butchered by an untrained charlatan...." With a good cast and the extra gloss from being shot at Republic Studios, THE SHAME OF PATTY SMITH is an exploitation B that tries to go B+ by treading a fine line between social consciousness and teensploitation-style sensationalism! Plus: "YOU'VE RUINED ME EDDIE!" (b&w / 72 minutes / 1959 / unrated) is what rich teenage sex kitten Joan Denton tells lower-class lunkhead Eddie Mercer upon learning she's pregnant. But though nice-guy Eddie wants to get hitched and raise the kid, Joan doesn't want to get "fat and sick and ugly" and, instead, tells her Daddy to arrange for an abortion. Before long, Daddy is blackmailed, Eddie is beaten up by the local sheriff, and an out-of-her-mind Joan decides to murder Eddie in this wonderfully deranged Southern-fried rarity, aka TOUCH OF FLESH! And remember: "Maybe the whole world's crazy... Crazy SICK!" Plus extras.

SHE-DEVILS ON WHEELS (1968, color): Queen and “The Man-Eaters” -- an all-female biker gang -- take time out from terrorizing a local community to race each other for first pick of the “stud line,” initiate a new member, throw Saturday night orgies, and take on a rival all-male gang by decapitating its leader. Sex and violence courtesy of cult director Herschell Gordon Lewis (JUST FOR THE HELL OF IT). From the 35mm negative. Plus extras.

SHE FREAK (1967, color): Carny-noir as Jade Cochran, the wife of a sideshow owner, cheats on her marriage with Blackie, the carnival stud, while making life miserable for Shorty, the sideshow midget. But when Blackie kills her hubby and Jade inherits the freak show, Shorty and his fellow “oddities” seek revenge by turning Jade into a monstrous something-or-other... A moody, off-kilter, semi-remake of FREAKS from producer David F. Friedman (THE DEFILERS). From the 35mm negative. Plus extras.

SHELL SHOCK / BATTLE OF BLOOD ISLAND: World War II V for Victory Show! War is hell -- especially if you're a G.I. suffering from SHELL SHOCK (1964, b&w)! Bonked on the head during the Battle of Bronson Canyon, Johnny Wade is ready to crack. But that doesn't stop rotten Sgt. Rance from sending Wade out to capture a German ammo dump which results in Johnny having a complete mental breakdown: "Sure a psycho, ain't he?" Though everyone realizes Johnny needs medical help -- especially since he's throwing himself around his tent like it was a padded cell -- Rance thinks it would be more amusing if crazy Johnny was running loose in German territory. Sure enough, Rance helps Johnny "escape," and wacky Wade is soon racing around Italy with no idea of what planet he's on.... Directed with brisk efficiency by exploitation vet John Patrick Hayes (GRAVE OF THE VAMPIRE), SHELL SHOCK is a fun little low-budget war epic in which the Hollywood Hills pass for 1943 Italy!
Plus: All that's left after the BATTLE OF BLOOD ISLAND (1960, b&w) are gloating Japanese and a beach littered with dead G.I.'s. But two of the "dead" aren't: Moe is just playing possum while Ken is alive but seriously wounded. Essentially strangers, the two must learn to work together, elude the enemy, and somehow survive -- despite an unwelcome explosion of some old-fashioned American bigotry.... Shot in Cuba back-to-back with LAST WOMAN ON EARTH and CREATURE FROM THE HAUNTED SEA, pay attention to the G.I. barking orders at the end and you'll spot executive producer Roger Corman, no doubt playing a part to stretch a buck! Plus extras.

SIN IN THE SUBURBS / THE SWAP AND HOW THEY MAKE IT: Olga meets Ilsa -- in Suburbia! Yes, before they made their marks as pop-culture dominatrixes, Audrey "Olga" Campbell -- as well as her two costars from OLGA'S HOUSE OF SHAME -- starred with Dyanne "Ilsa" Thorne (billed here as "Lahna Monroe") in one of the greatest sexploitation films of the Sixties: director Joe Sarno's wild and witty SIN IN THE SUBURBS (b&w / 88 minutes / 1964 / unrated) Eager to make money off the rampant sexual shenanigans sweeping through their neighborhood, Yvette Talman (Miss Thorne) and her creepy brother Lou organize a sex club in which Mrs. Lewis (Miss Campbell) and other lust-loving suburbanites pay to participate in anonymous sex while wearing cloaks and masks: "If you'll direct your attention to the center of the ring, the greatest animal act on earth!" But what Mrs. Lewis doesn't know is that her teenage daughter is ALSO a member of the club. Oops.... Plus: With Mona's husband too busy for love, and after Karen's fling with a college kid fizzles, they decide to take a neighbor's advice and "trade the old model for a newer one" when they join a group of wife-swappers called “The Exchange.” But when that college kid threatens to expose THE SWAP AND HOW THEY MAKE IT (b&w / 101 minutes / 1966 / unrated), he's allowed to join the club until a cruel joke makes his swap especially sick.... So be the first on your block to savor these scintillating, stylish, and surprisingly intelligent skinflicks from director Joe Sarno... And be sure to invite the neighbors! Plus extras.

SINDERELLA AND THE GOLDEN BRA / GOLDILOCKS AND THE THREE BARES: She Doesn't Lose Her Shoes! The classic fairy tale is given a nude overhaul when SINDERELLA AND THE GOLDEN BRA replaces the glass slipper with gilded B-cups! Treated miserably by her hag stepmother and two ugly stepsisters, Derella would love to go to Prince David's masked ball but doesn't have a thing to wear. Enter her oddball Fairy Godfather (Sydney Lassick of ONE FLEW OVER THE CUCKOO'S NEST) who climbs in her window and gives her a magic gown good only till midnight. Sure enough, when the clock strikes 12, Derella flees, leaving her brassiere dangling from the prince's hand, who then searches for "the perfect fit" between the kingdom's lovely maidens and the Golden Bra.... And if that ain't wacky enough, SINDERELLA AND THE GOLDEN BRA is also -- brace yourself -- a MUSICAL! Plus: Suspicious of his girlfriend Allison's weekend disappearances, "skin-diving singing sensation" Eddie Livingston has a screwball friend trail her to -- gasp! -- Sunshine Park, a Miami Nudist Camp, in GOLDILOCKS AND THE THREE BARES (that's "Bares" as in Nekkid), an early skinflick from cult legends David F. Friedman (TRADER HORNEE) and Herschell Gordon Lewis (THE GRUESOME TWOSOME), in "Buffocolor" and "Seemorescope"! Two Anatomy Award Winning Fairy Tale-flavored Nudies, SINDERELLA and GOLDILOCKS will assault your senses with their utter senselessness!

A SMELL OF HONEY, A SWALLOW OF BRINE / A SWEET SICKNESS / THE BRICK DOLLHOUSE: Engorge Your Senses! She's sexy! She's psycho! She's a sadistic little sex kitten gleefully destroying men with A SMELL OF HONEY, A SWALLOW OF BRINE (b&w / 70 minutes / 1966 / unrated) She's Sharon Winters -- played by the delectable Stacey Walker of THE NOTORIOUS DAUGHTEROF FANNY HILL -- the Ultimate Tease who gets her kicks by seducing guys, then calling for the cops: "What do you think I am? Some two-dollar hustler?!" She sends one young man to jail, forces another to skip town, and drives one poor slob so crazy that he runs maniacally through the streets before attacking the first woman he sees! But the tables are turned when Sharon zeroes in on a thug who's even SICKER than she.... Written and produced by the legendary David F. Friedman (THE DEFILERS), this gritty, gutsy, outrageously un-PC SINema classic is a truly twisted gem from the Golden Age of Sexploitation! Plus: Vivacious Vincene Wallace (co-star of Russ Meyer's VIXEN) is Dee, a naive young gal who's come to Hollywood to be a star. Instead, she's jumped by her landlord, hired to headline a "strip auction," and becomes the drugged centerpiece of a lesbian-and-whipped-cream party! As the narrator says, "It's sort of a sickness trying to reach the top. But it's A SWEET SICKNESS (b&w / 67 minutes / 1968 / unrated)...." Also: Pot-party swingers, gals who love gals, high-haired hellcats and -- yikes! -- one shot-to-death stripper are all to be found behind the well built walls of THE BRICK DOLLHOUSE (color / 55 minutes / 1967 / unrated). Yup, it's a torrid and tumultuous triple bill of scintillating Sixties Skinflicks, Dave-Friedman style! Plus extras.

SOMETHING WEIRD (1967, color): When an electrical accident disfigures the face of Cronin Mitchell, he also acquires strange psychic powers. But wait! Mitchell then makes a bargain with a sexy witch who restores his looks if he becomes her lover, boosts his ESP with LSD, expels a ghost from a funeral home, tracks down a small-town maniac, and makes an ordinary bedsheet come alive and attack a man! Yow! Whimsical, semi psychedelic, and utterly far-out, this is one of the wildest and most unique flicks yet from director Herschell Gordon Lewis (THE GRUESOME TWOSOME). From 35mm. Plus extras.

SPACE THING (1968, color): It’s Buck Rogers for Adults as an alien in human disguise observes the “intimate ways” of lesbian Captain Mother and her flying saucer full of sexy space nymphs. But when the alien finds himself in the enviable position of ship stud, he makes it with two of the space babes, then goes nutty and blows everyone up! Huh?! An hilarious, out-of-its-mind science-fiction nudie from producer David F. Friedman (THE EROTIC ADVENTURES OF ZORRO) that’s even dumber than PLAN 9 FROM OUTER SPACE but a hell of a lot more fun. From the 35mm negative. Plus extras.

STREET CORNER / BECAUSE OF EVE: Good Girls in Bad Trouble! Finally! The Veils of Sexual Ignorance are Lifted with these two incredible Sex-and-Sin Exploitation ClasSICKS which once traveled the back roads of America exposing small-town audiences to the shocking-but-true Facts of Life! When high-school girl Lois Marsh finds herself "in trouble" and boyfriend Bob dead in a car crash, she seeks help on the STREET CORNER and ends up almost dying from a botched abortion! Fortunately, crusading Dr. Fenton comes to her aid, armed with his trusty projector and graphic birth-of-a-baby footage.... Plus: Soon-to-be-wed Bob and Sally visit Dr. West for a "premarital physical" until he idiotically blurts out their past indiscretions: "Sally, that first baby didn't hurt you a bit! And Bob, there's no trace of your old VD!" BOOM! The marriage is canceled until the befuddled old doc shows the ex-lovebirds three delightful movies -- "The Story of VD," "The Story of Reproduction," and "The Story of Birth" -- proving once and for all that it's all BECAUSE OF EVE.... With shocking-for-its-time candor and even some surprising full-frontal nudity, STREET CORNER and BECAUSE OF EVE are not only hilariously overripe Sex-Ed films but "an honest effort at making our beloved America a cleaner, healthier, and happier place to live!" Shown to gender-segregated audiences in theaters -- "Women at 7:00, Men at 9:00!" -- you can now learn all about The Birds and The Bees in the hushed privacy of your darkened living room!

TAKE ME NAKED / A THOUSAND PLEASURES: It's Another Findlay Frenzy! Yes, Michael and Roberta Findlay -- the outrageous auteurs of the infamous "Flesh" trilogy (THE TOUCH OF HER FLESH, THE CURSE OF HER FLESH, and THE KISS OF HER FLESH) -- continue their bizarre Battle of the Sexes with this utterly deranged, diseased, and degenerate double feature! Peeping out the window of his skid-row room, a Bowery bum becomes obsessed with Elaine, "a living tomb of flesh" who lives in the building next door (and who's played by Roberta Findlay in a rare starring role). But when his sexual fantasies are invaded by "a twisted mental hunchback" (director Michael Findlay of course), the bum snaps, goes into a homicidal rage and, completely bonkers, brings Elaine a carving knife he thinks is a bouquet of flowers.... Another maniacally morbid masterpiece, TAKE ME NAKED (1966, b&w) is a foaming at-the-mouth mix of art-film lyricism and horror-movie excess as only the Findlays made 'em! Plus: Wife-murderer Richard Davis (director Michael Findlay again) picks up deranged hitchhikers Maggie and Jackie, takes them to their house of A THOUSAND PLEASURES (1968, b&w), and meets their brain-damaged adopted daughter "Little Baby," a full-grown woman in a diaper. Maggie and Jackie, however, want a REAL child but, because they're "true lesbians" who "hate the filthy touch of men," decide to turn Davis into their very own sperm bank.... But please consult your doctor after viewing. These films are so sick, they might be contagious! Plus extras.

TASTE OF BLOOD (1967, color): A bottle of ancient “wine” turns John Stone, a mild suburban executive, into a pasty-faced, bloodthirsty vampire. A distant relative of the original Count Dracula, Stone journeys to England to pick up his ancestral coffin, then begins feasting on the descendants of those who destroyed the vampire king. Cult director Herschell Gordon Lewis (SHE-DEVILS ON WHEELS) goes for mood rather than gore in this two-hour horror epic. From 35mm elements. Plus extras.

TEASERAMA (1955, color): America’s Legendary Pin-Up Queen, Cult Icon Bettie Page, teams up with Superstar Stripper Tempest Storm in the Biggest Burlesque Film of them all! Miss Page performs two stylized dance numbers that are amalgams of her classic poses, then plays Tempest’s maid in a boudoir bit that’s a fetish-lover’s dream come true! Plus female impersonator Vickie Lane, contortionist Twinnie Wallen, stripteuse Cherrie Knight, baggy pants comic Joe E. Ross, and more! Produced and directed by glamour-gal photographer Irving Klaw. From 35mm negative. Plus extras.

TEEN-AGE STRANGLER / TEENAGE GANG DEBS: A Teenage Terror Drive-In Double Feature!  TEEN-AGE STRANGLER (1964, color): It’s the Fuzz vs. The Fastbacks, a gang of high-school hotrodders, as everyone tries to figure out the identity of “The Lipstick Killer,” a psycho who leaves a stocking wrapped around his victim’s neck! A delirious slice of Sixties Americana! From 35mm negative.  TEENAGE GANG DEBS (1966, b&w): Like a delinquent Lady Macbeth, a Brooklyn bad girl takes over a teenage gang by manipulating the guys and eliminating the gals with rumbles, knife fights, and murder in this nasty j.d. gem! From 35mm. Plus extras including Drive-In intermission shorts.

THIS STUFF'LL KILL YA! / THE YEAR OF THE YAHOO!: Color Me Blood Redneck! Whether it's the moonshine or a madman, THIS STUFF'LL KILL YA! (color / 98 minutes / 1971 / rated GP). Roscoe Boone (Jeffrey Allen from TWO THOUSAND MANIACS!) is the hootin' and hollerin' and altogether bogus preacher of a liquor-makin' church that worships White Lightnin': "I shall drink to the Spirit of the Lord!" But when two Federal Agents threaten to bust up Boone's business, a series of gruesome murders occur -- such as one young lady who gets stoned to death, and two sexy tourists who find themselves crucified! All of which comes to a head splattering climax in this twisted mix of horror and hillbillies from cult director Herschell Gordon Lewis (THE WIZARD OF GORE), featuring Larry Drake of DARKMAN, and the final screen appearance of Hollywood veteran Tim (TREASURE OF THE SIERRA MADRE) Holt! Plus: Politics go corn pone when three "Technical Advisors" choose country-western crooner Hank Jackson (singer Claude King) as their candidate for the Senate: "People want simpler times... Yeah, they're yahoos, but this is THE YEAR OF THE YAHOO!” (color / 88 minutes / 1972 / rated R). What follows is a campaign of clever commercials and scripted "spontaneity" but utterly no substance. But when Hank's girlfriend accurately accuses him of selling out, his backers shut her up by having her attacked.... A rarity once feared "lost," THE YEAR OF THE YAHOO is smart, cynical, music-filled exploitation, and one of Herschell Gordon Lewis' best. Two Southern-Fried Gems straight from the Lancaster Drive-In on Route 22! Plus extras.

TOUCH OF HER FLESH / CURSE OF HER FLESH / KISS OF HER FLESH: "I Do a Service to All Mankind with Each Jezebel I Kill!" Get ready to be Shocked! Get ready to be Appalled! Get ready for an All Out Assault on Humanity! Yes, it's the infamous "Flesh" trilogy: three of the most outrageously insane Sexploitation Sickies of the Sixties from husband & wife filmmakers Michael Findlay ("Julian Marsh") and Roberta Findlay ("Anna Riva") which mix sex and violence into a malignant cocktail still potent today. The madness starts with THE TOUCH OF HER FLESH (1967, b&w) where Richard Jennings (director Findlay acting as "Robert West") discovers his wife Claudia in bed with another man, goes berserk, and is promptly hit by a car. In a classic case of overreaction, the now-crippled Jennings not only vows revenge on his wife but on ALL women EVERYWHERE, and begins to slaughter strippers, hookers, and go-go girls in a series of psycho killings which climax with a lovely little buzz-saw beheading.... Next, Jennings extends THE CURSE OF HER FLESH (1968, b&w) to the man he caught with Claudia as well as "everyone connected with him," leading to murders by machete, a poisoned cat's paw, and even a lethal G-string.... Finally, in THE KISS OF HER FLESH (1968, b&w), Jennings fights the ultimate Battle of the Sexes with a tire iron, blowtorch, and -- believe it or not -- a lobster claw.... Yiiiiipes! Hilariously depraved, deranged, disturbing, and definitely not part of our PC-world, here are three gruesome gems sure to make your jaw hit the floor! From 35mm negatives. Plus extras.

TRADER HORNEE (1970, color): Detective Hamilton Hornee leads an expedition into daftest Africa to find Algona, the missing heir to a fortune who also happens to be the blonde “white goddess” worshipped by the Meshpoka tribe, “the most feared humans in all Africa.”  Also on the loose is Nabucco, a legendary white gorilla that’s actually an escaped Nazi in an ape suit! An hilarious, big-budget sex comedy from legendary producer David F. Friedman (THE EROTIC ADVENTURES OF ZORRO) that manages to send up every jungle cliche from Tarzan to dancing cannibals! From the 35mm negative. Plus extras.

THE TRIAL OF LEE HARVEY OSWALD / THE OTHER SIDE OF BONNIE & CLYDE: Crime and Punishment, U.S.A.! In between the goofy horrors of THE NAKED WITCH and THE EYE CREATURES, cult director Larry Buchanan tackled nothing less than the killing of President John F. Kennedy by showing what THE TRIAL OF LEE HARVEY OSWALD (b&w / 94 minutes / 1964 / unrated) might have been like had Oswald lived to defend himself. Filmed in Dallas shortly after the assassination -- before the results of the Warren Report and the flood of various conspiracy theories -- "the testimony, evidence, and facts that you will see and hear were obtained from public records and from eyewitnesses to the events." Surprisingly, the issue here is not whether Oswald was a lone gunman but, rather, if he was crazy or not: "The defendant suffers from a major mental disorder! Schizophrenia, paranoid type!" A fascinating glimpse into speculative history -- in which each viewer becomes a "member of the jury" -- THE TRIAL OF LEE HARVEY OSWALD was briefly released to theaters in April of 1964 but, according to Buchanan, "due to unwarranted pressures the picture was suppressed immediately after this first showing," and the film has remained virtually unseen for almost four decades. Until now.... Plus: Buchanan then reveals THE OTHER SIDE OF BONNIE & CLYDE (color / 60 minutes / 1968 / unrated) through dramatic reenactments, an interview with a woman kidnapped by them ("They were just TERRIBLE characters!"), a discussion with a former "Public Enemy No. 1" and friend of the killer couple, and the "Actual Death Film" showing the grisly aftermath of Bonnie & Clyde's roadside execution in 1934! Plus extras.

TWO GIRLS FOR A MADMAN / MISTER MARI'S GIRLS / TORTURED FEMALES: "Women, as you know, are complex animals, haunted with problems real and imaginary...." Dance students Toni and Sonya become TWO GIRLS FOR A MADMAN (1968, b&w) when toothy psycho Frank Yeager sees sexpot Toni at a bizarre back-room orgy in Greenwich Village. Impressed, Frank pops up in the back of Toni's car and "teaches her some new ballet steps." Wanting seconds, Frank starts stalking Toni, quickly discovers her best friend Sonya, and breaks into their dance school, anxious for a private performance.... Starring Arlene Farber ("Toni France"), the sultry star of such Jerry Gross faves as THE FEMALE ANIMAL and TEENAGE MOTHER, TWO GIRLS FOR A MADMAN is psychotic sexploitation from the man who made TOYS ARE NOT FOR CHILDREN! Plus: Meet MISTER MARI'S GIRLS (1967, b&w), a diverse group of Women in Trouble -- ranging from a junkie-model in need of a fix, to a pregnant high-school girl, to a "hard-as-nails" lesbian eager to marry her blind girlfriend -- who come to millionaire Mari for help and advice, and stay around for the most malignant catfight ever put on film.... And: Unaware of the local Hooded Strangler lurking around her door, poor "Helen Doe" decides to visit her aunt but, instead, winds up at the "House of Horror on the hill." There, she and six other TORTURED FEMALES (1965, b&w) are held by white slavers and persuaded to accept "a glamorous life of easy virtue" through beatings, whippings, and being forced to watch go-go dancers (?!). Worse, adding to the madness is nothing less than -- are you ready? -- "a half-witted, monkey-chattering, Mongolian hunchback." Honest. Plus extras.

TWO THOUSAND MANIACS! (1964, color); The small Southern town of Pleasant Valley celebrates the Civil War’s centennial by inviting a handful of unsuspecting Yankees to be their “guests of honor”... and then slaughtering them! Festivities include a man rolled in a barrel of nails, a rock-toss featuring a boulder squashing a woman, and a late-night barbecue of a young lady’s arm! Another marvelously perverse gore classick from cult director Herschell Gordon Lewis (BLOOD FEAST) and producer David F. Friedman, and the second in their infamous “blood trilogy.”  A Hollywood remake (!) is currently in development! From the 35mm negative. Plus outtakes and extras.

VARIETEASE (1954, color): Legendary Pin-Up Queen Bettie Page stars in this Unique Peek at the Wonderful World of Burlesque complete with Singers, Slickers, and Saucy Strippers! In a harem-girl costume, Bettie does her “Dance of the Four Veils,” while the sophisticated and sparkling Lili St. Cyr shows us just how elegant a strip tease can be! Plus jokester Bobby Shields, contortionist Twinnie Walles, female impersonator Vickie Lynn, and more! Produced and directed by girly-pic impresario Irving Klaw who reteamed with Miss Page the following year to make TEASERAMA. From the 35mm negative. Plus extras.

THE VEIL VOLUME (1959, b&w): Two years before THRILLER, Boris Karloff hosted an unsold, ten-episode TV spook anthology, THE VEIL, which evokes both TWILIGHT ZONE and ONE STEP BEYOND by presenting “true” stories of ordinary people experiencing some aspect of the bizarre or supernatural. In addition to his duty as host, Karloff also stars in nine of the shows. Included here are five complete, uncut, original episodes: “Tonight I’m going to tell you another strange and unusual story of the unexplainable which lies behind The Veil...” From 35mm. Plus extras.

THE VEIL VOLUME 2 (1959, b&w): Five more uncut, never-broadcast episodes of the ultra-rare, Boris Karloff-hosted TV spook anthology THE VEIL, with stories about psychic premonitions, ghosts, reincarnation, and Jack the Ripper. “Please join me again for another journey into the world of the unexplainable which lies behind The Veil...”  From 35mm. Plus extras.

VIOLENT YEARS / GIRL GANG: Untamed Girls in Tight Sweaters Kill for a Thrill in this Pretty-but-deadly Drive-In Double Bill!  VIOLENT YEARS (1956, b&w): A rich girl gone bad leads three high school hellcats in robbing a gas station, throwing a pajama party with older men, and wrecking a classroom for the Commies! From a script by the one and only Ed Wood (PLAN 9 FROM OUTER SPACE). Plus, delinquent devil-dolls who’ll do anything for dope star in GIRL GANG (1954, b&w), an outrageous camp classick with a budget as cheap as its women! Both from 35mm. Plus extras including Drive-In intermission shorts!

WILD GUITAR / THE CHOPPERS: Wild Cars and Revved-Up Guitars! Hick hipster Bud Eagle (Arch Hall, Jr.) arrives in L.A. just in time to stumble onto a TV talent show where he and his WILD GUITAR become an immediate sensation. He's quickly signed by Mike McCauley, "the biggest manager in Hollywood," who promptly cheats, cons, and exploits the kid until Bud wises up and fights back....

Playing the cigar-chomping baddie is Archie's real-life daddy, Arch Hall Sr. ("William Watters"), who also produced (as "Nicholas Merriwether") and distributed the film under his Fairway International banner. Making his directorial debut is cult fave Ray Dennis Steckler (THE INCREDIBLY STRANGE CREATURES) who does double-duty (under his acting pseudonym, "Cash Flagg") by playing McCauley's creepy henchman, Steak. A fun, off-kilter rock-'n'-roll mini-epic, WILD GUITAR also boasts a surreal beach party ending and a surprise cameo by the mummies from EEGAH! Plus: Five car-stripping psychos are THE CHOPPERS, teenage boys who reduce unattended autos to rubble and sell the parts to greedy salvage king Big Moose (Bruno Vesota). But the cops are quickly closing in, especially after an insurance investigator discovers a significant clue to the gang's identity: a chicken feather.... Starring Arch Hall Jr. as "Cruiser," a rich kid gone bad, and produced by Hall Sr., THE CHOPPERS was the first of their quirky father-and-son film collaborations. It also features the lovely charms of glamorous Marianne Gaba, PLAYBOY's "Miss September, 1959"!

THE WIZARD OF GORE (1970, color): Is It Magic... Or Wholesale Slaughter? Seedy magician Montag the Magnificent requests female volunteers from the audience to join him on stage where, in the best Grand Guignol tradition, he slaughters them in a series of grisly illusions: one is cut in half with a chainsaw, another has a spike hammered through her head, two swallow swords, and one gal gets a hole drilled through her belly. Trouble is, the “illusions” become all too real several hours later... Blood and guts from “The Wizard of Gore” himself, Herschell Gordon Lewis (THE GORE GORE GIRLS). From the 35mm negative. Plus extras.

WRESTLING WOMEN USA / PIN-DOWN GIRL: Super Strong She-Babes Out to Wrestle the World! What makes America the Greatest Country on Earth? Why, Wrestling Women, of course! And here's a vintage look at the Golden Age of Female Wrestling, back when the Cold War was hot, television was new, and Women's Wrestling first exploded on the national scene! Watch brazen bombshells battle it out in over 3-1/2 rough-and-tumble hours of catfights, scissor locks, and buxom body slamming action! And there's nothing that says "America the Beautiful" better than sexy women kicking butt! Plus: Learn the inside story of Wrestling Racket Girls as sleazeball supreme Umberto Scalli (Timothy Farrell) fixes fights, steals from the mob, and promotes hunky lady wrestler Peaches Page in the crackpot wrasslin' classic from 1951, PIN-DOWN GIRL (a.k.a. BLONDE PICKUP and RACKET GIRLS), featuring "World Champion Wrestler" Clara Mortensen vs. "Champion of Mexico" Rita Martinez, The Leopard Lady vs. The Panther Woman, as well as lots of hilarious fifties-style cheesecake! Hotcha!

THE ZODIAC KILLER / THE SEX KILLER / ZERO IN AND SCREAM: "Don't You Know People Like Me Exist?" What kind of lunatic goes around cheerfully killing total strangers -- and even helps a little old lady change a flat by bashing her over the head with the spare -- then writes letters to newspapers taunting the police? Yup, the kind who also goes down to the basement, dons a ceremonial robe, and prays aloud to a plaster idol: "I am the Supreme Zodiac! All those I kill in this life will be my slaves when I am reborn in Paradise! Atlantis shall rise again!..." Based on the still-unsolved "Zodiac" murders that occurred between 1966 and 1969, THE ZODIAC KILLER (color / 85 minutes / 1971 / rated R) is a tabloid blend of truth, fiction, and sick humor "based on known facts." But please note: "If some of the scenes, dialogue, and letters seem strange and unreal, remember, THEY HAPPENED!" Plus: Excited after his successful date with a mannequin head -- yes, A MANNEQUIN HEAD! -- lonely Tony switches from being a Peeping Tom to becoming THE SEX KILLER and blissfully stalks Manhattan looking for ladies to strangle.... One of the most demented skinflicks of the Sixties, SEX KILLER (b&w / 55 minutes / 1967 / unrated) is so hilariously odd as to be downright surreal! Also: "When a man climbs on top of a woman, she becomes ugly!" explains a screwball sniper who prowls the Hollywood Hills cleansing the landscape of lovemaking couples in ZERO IN AND SCREAM (color / 63 minutes / 1970 / unrated), a rude little rarity from the director of MONDO BIZARRO! And, please, we beg you, before anyone else is hurt: "Turn yourself in! It is obvious you're not in control of yourself!" Thank you. Plus extras.